Many published engravings were made after his 1808 portrait. However, the date of retrieval is often important. Amongst his other most celebrated likenesses are those of Mrs James Campbell, Sir John Sinclair, Lord Newton, and Alexander Adam. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education.
Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Particularly noteworthy Raeburn Sir Henry portraits included those of Rev Sir Henry Moncrieff Wellwood; Dr Wardrop of Torbane Hill; two full-lengths of Adam Rolland of Gask; William Macdonald of St Martin's; and the Raeburn Sir Henry paintings of Lord Newton and Dr Alexander Adam now on show in the National Gallery of Scotland. It was practically unknown until about 1949, but has since become one of Scotland's best-known paintings. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. Tells the story behind this painting.
After his one foray abroad, Raeburn Sir Henry spent most of the rest of his life in Edinburgh, only occasionally visiting London, in marked contrast to many of his Scottish contemporaries who felt they had to move south to develop successful careers. In Raeburn Sir Henry Portraits of Sir Walter Scott, Francis Russell lists 6 engravings of the complete portrait and 14 derivations including partial reproductions and variations on his original. Therefore, that information is unavailable for most Encyclopedia. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. His features are softened in an alternative version painted for Scott himself by Raeburn Sir Henry in 1809.
Today it is one of Scotland's best known Raeburn Sir Henry paintings despite unproven claims it was actually painted by the French artist Henri-Pierre Danloux and something of a Scottish cultural icon. Raeburn was especially aided by the loan of portraits to copy. One does not like the idea of being knockd down even though it is only in effigy Letters, X, 139-40. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. Unlike the earlier Raeburn Sir Henry portraits of Scott which were designed for a private, domestic setting, Raeburn Sir Henry portrait was very much conceived with reproduction in mind. Raeburn was fortunate in the time in which he practised portraiture.
His work was in constant demand, and he enjoyed many honors, including knighthood 1822. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott himself shared Morritt's view that in aiming for solemnity he had given him a somewhat stolid air. Supposedly the canvas and scale of the painting appears to be that of a French painter, although Raeburn critics argue otherwise. Establishing himself in that city, he portrayed the prominent persons of his native Scotland. His employer introduced Raeburn to David Martin, who at the time was Edinburgh's leading portrait painter.
Cuthbert's churchyard against the east wall the monument erected by Raeburn in advance but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. Raeburn Sir Henry Biography 1756—1823 portrait painter Raeburn Sir Henry is a Scottish portrait painter. He is best represented in the National Gallery of Scotland, Edinburgh, which contains, among many others, his self-portrait and portraits of Mrs. The skating minister is portrayed by skater Nick Martin and the skating scenes were filmed on in Sweden. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Having married a wealthy widow in 1780, he added to their fortune by buying land on the outskirts of Edinburgh which he developed speculatively. Martin encouraged Raeburn Sir Henry painting, helping him by lending Raeburn Sir Henry portraits to copy.
The Raeburns returned to Edinburgh in the summer of 1786 and Henry returned to his portrait paintings, now able to add his newly acquired technical competence to his natural flair and enthusiasm. In 1772, Raeburn Sir Henry was apprenticed to James Gilliland, an Edinburgh goldsmith; while he was still an apprentice he began to paint miniatures, first in watercolors, then in oils. Text Source: The Oxford Dictionary of Art and Artists Oxford University Press. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. At times, however, his technical facility degenerated into empty virtuosity. From these it was only a short step to the production of portrait miniatures: and he soon moved on to full size oil paintings, something in which Raeburn Sir Henry was entirely self-taught.
Apprenticed to a jeweller, it is not precisely known how Raeburn's attention turned to painting. At the age of 15 Raeburn Sir Henry left school to begin an apprenticeship with an Edinburgh goldsmith. Raeburn also benefitted from the large number of wealthy patrons then living in Edinburgh. He had an older brother, born in 1744, called William Raeburn. Sir Henry Raeburn 1756-1823 was a British portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. James Cruikshank , Scotland The Macnab , University of Glasgow, Scotland 4 paintings online , Indiana , Indiana , Omaha, Nebraska Portrait of Mrs. In 1784 he went to London and there met Reynolds, who greatly influenced him.
George Chalmers 1776; Dunfermline Town Hall is his earliest known portrait. It has sometimes been suggested that the painter was less good with female subjects, but a number of Raeburn Sir Henry portraits of women, including a full length portrait of his wife, are generally regarded as of very high quality. After living for two years in Italy, where he developed his virtuoso brush technique, Raeburn returned to Edinburgh in 1787. Eventually, though, Scott appears to have been reconciled to the 1808 portrait. Our art gallery not only supply high-quality Raeburn Sir Henry oil painting reproduction for sale, but also sell Scottish oil paintings classic. He was the first major Scottish painter to work largely in his own country, and his portraits create a superb visual record of a golden age of culture and society in Scotland in general and Edinburgh in particular.
She married a Mr Downey of Preston Pans and the portrait must date from shortly afterwards, around 1787-90. He married Jean Fraser in 1778 and had five children. The leading Scottish portrait painter of his period. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Gallery label, May 2007 Does this text contain inaccurate information or language that you feel we should improve or change? Largely self-taught, he visited London in 1784 on his way to study in Italy and met , whose style influenced him in a way that his Italian experience did not. It was usual for artists to visit Italy, and Raeburn set off with his wife.